Selected projects exploring how editorial structure,
identity and digital experience can shape a clear visual voice.

A graphic design student focusing on editorial design, web, and motion design.

Maryland Institute College of Art (MICA) — Baltimore, MD
B.F.A. in Graphic Design, expected May 2027.

I see design as finding new ways to share information, whether through typography, layout, image, or motion. It is about exploring, learning, and figuring out how to make something that communicates clearly and feels right. I enjoy working across different media so I can test new approaches and learn from each step. In the future, I want to keep developing projects that connect printed matter, digital experiences, and motion.

Traces of Repair publication arranged with open editorial spreads

Traces of Repair publication held open in two hands

Traces of Repair

Traces of Repair is an editorial publication that examines repair as both a practical act and a visual language. Developed through research, interviews, archival references, and image-led stories, it brings together visible mending, material restoration, and the marks left by repeated use. The publication treats wear not as damage to conceal, but as evidence of an object’s history and the care invested in keeping it alive.

Across the magazine, documentary imagery is paired with expressive typography and shifting editorial structures. Changes in scale, density, and pacing echo the irregular nature of repairing by hand, while quieter spreads create space for close observation. The final design frames repair as an ongoing relationship between people, materials, memory, and time—one in which imperfection becomes a record of transformation.

Project Scope

Discipline: Editorial design
Focus: Visible mending, repair, material memory
Role: Research, art direction, typography, layout
Year: 2025

Clarendon history and typographic composition spread

Balloon Fiesta visitor information gazebo

Balloon Fiesta identity applied to event seating

Balloon Fiesta identity applied to a drawstring bag

Colorful Balloon Fiesta billboard design

Balloon Fiesta identity applied to an orange hat

SCRT cinematic opening page for a Paris, Texas collaboration with Wim Wenders and Curzon

SCRT clothing and objects category page displayed on a laptop

SCRT films and television discovery page displayed on a laptop

Four poster designs arranged together as printed sheets

Carrie film poster using a For Sale sign — A familiar “For Sale” sign becomes a symbol of exclusion and suppressed power. Rigid geometry is interrupted by a handwritten warning that brings the film’s tension to the surface.

Personal design statement poster in orange and navy — A personal design statement built from shifting typographic panels. Scale, rotation, and interruption turn a short manifesto into an active visual composition.

Black Balloon Fiesta festival poster — The festival poster introduces the identity through a shared point of origin. Expanding colour fields suggest balloons rising together while the black ground gives the system clarity.

Blue Balloon Fiesta evening poster — The evening edition shifts the campaign into a deep blue field. Floating letter-circles and a direct headline connect the event identity with the atmosphere of the balloon glow.

Quentin Tarantino

A portfolio website translating Quentin Tarantino’s cinematic language into a long-form digital experience. Film stills, bold typography, timeline fragments, and editorial pacing guide the viewer through his work and recurring themes. The interface borrows the rhythm of film editing, alternating dense information with full-scale visual moments as the viewer scrolls. Repeated graphic cues connect biography, dialogue, authorship, and violence within one continuous narrative.

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Project Scope

Discipline: Web design
Focus: Digital storytelling and interaction
Role: Research, art direction, UI, layout